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Mariachi and Orchestral Conducting: A Unique Fusion

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When I introduce myself as a professional orchestra conductor or violinist, many people are surprised to discover that I also have a deep connection with mariachi, a musical tradition that is part of our most cherished roots in Mexico. For me, these two worlds are not separate: they intertwine, complement each other, and enrich my way of making music.


The origin of my double path

As a child, I constantly heard my music teachers—mostly foreigners—say that mariachi was for “loser” musicians, for those who hadn't studied enough. I grew up with the idea that regional Mexican music was something I should stay away from, almost as if it were a mistake in my training.


For years, I carried that prejudice with me. For me, being a "serious musician" meant dedicating myself solely to classical music and rejecting what, ironically, connected me most to my roots.


Everything changed during my years at the Tec de Monterrey, when I joined the folkloric group Raíces. It was there that I realized the colossal mistake I, my teachers, and even some of my friends had made: thinking that Mexican music was "minor." On the contrary, I discovered that our popular music is rich, complex, vibrant, and, above all, deeply relatable.


That awakening made me reconcile myself with mariachi and regional music. Today I understand that it's not something to shy away from, but a treasure that deserves to be celebrated on the same stages as Beethoven or Mahler.


Conducting with mariachi sensitivity

My experience in mariachi as a violinist and singer taught me something invaluable: to listen with my heart before listening with my baton. I bring that same sensitivity to the podium when conducting an orchestra.


Mariachi taught me to read the audience in real time, to understand how a shout of joy or a spontaneous tear can transform a performance. That immediate connection inspires me to seek the same in the orchestra: for each note to be not only precise, but deeply human, in touch not only with the audience's feelings, but also with those of every musician on stage.


An orchestra conductor in Mexico with the soul of a mariachi

Today, looking back, I recognize that my artistic identity would not be complete without that blend. Being a Mexican orchestra conductor means for me not only interpreting the great symphonic composers, but also honoring the musical roots that define me.


Bringing mariachi to the same symphonic stages is a way of telling the world that our popular tradition has the same greatness and dignity as any universal repertoire. And it is, above all, an act of love for Mexican culture.


Conclusion: two languages, one heart

Conducting gave me structure and vision. Mariachi gave me closeness and passion. Together, they form a unique language that allows me to create profound musical experiences, where precision meets emotion, and where Mexico engages with the world.


For me, it's not about choosing between being an orchestra conductor or a mariachi. It's about demonstrating that both worlds can coexist, transform, and enrich each other, always in service of what matters most: music and people!

 
 
 

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